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#setdesign

2 posts2 participants0 posts today

I'm fascinated by the set designer's nack for creating rooms that feels like a home! This is not exactly my taste, but the weathering on the pieces, the colour combinations and the light makes you feel like it's a lived in house - you can even feel a slight vibe of residential school. This puts the weird and cold milleus at the beginning in another light; there was a point to them.

And yes, I'm stealing ideas like crazy.

This is rare! I guess this is Tanghua's room, and it's cosy; warm wooden tones, a bed with fluffy covers (but in a _manly_ way, of course), and those wall hangings really seal the deal! Normally interiors in C-dramas verge on grandness, sometimes to the point that they look impractical. But this room is perfectly liveable - I'd even stay there if I was allowed to bring a thicker matress.

Also: IKEA hack at one o' clock.

*sigh* Life would be so much easier if I didn't photograph every nook and cranny of the tower ship (this is the owner's cabin). But I'm not the only one in love with it, production have put oodles of work in making it come to life, and done a dang good job! It's not just the outside shots (that must've gobbled up 50% of their money), but also the unified look of corridors and cabins. I want to makr a model of it so bad!

However you feel about the plot twists in Severance Season 2, you can’t knock the art direction. From M. Hulot to “Sorry to Bother You,” The Times explores the cinematic sources of the innies’ discontent.

Gift article, no paywall. #film #SetDesign #Severance #cubicles #OfficeCulture

nytimes.com/2025/03/21/arts/te

The New York Times · How ‘Severance’ Uses Old Tricks to Make Its Office HellBy Annie Aguiar

Producer: I want the light to shine through the windows so we get dramatic shadows...

Location scout: Mhm...

Producer: ...and I want Zhang Zhiwei's reflection in the window.

Location scout *suddenly remembering some basic physics*: Errrr...

Producer: It's _symbolism_!

Location scout: *sigh* We'll fix it in post...

(They did their best by having the bottom part of the pane in deep shadow, because it is, indeed, good symbolism.)

ANIMAL Sort/hvid 2025
#sorthvidscene

Idé og initiativ ALEXANDRA MOLTKE JOHANSEN Medvirkende sangere KATINKA FOGH VINDELEV, NINA SMIDTH-BREWER, HÁVARD MAGNUSSEN og skuespiller SIGNE EGHOLM OLSEN Iscenesætter LARA TACKE Dramatiker ALEXANDRA MOLTK JOHANSEN (teksten indeholder citater af ANDREA HEJLSKOV) Scenograf og kostumedesigner FREYA SIF HESTNES Komponist og lyddesigner KIRSTINE FOGH VINDELEV Rekvisitør EMMA DYBDAHL HILDEBRANDT Kostumier JONATHAN CARL JENSEN Lysdesigner MORTEN KOLBAK Lydtekniker CHRISTOFFER ØSTERGAARD MEIER NIELSEN Teknisk afvikler KRISTOFFER KISLING Koreografisk konsulent SOFIIA STASIV Instruktørassistent STELLA SINA Scenografpraktikant NANNA EGELUND Repetitør LOUISE SCHRØDER Mix & mastering TOMMY VESTERGAARD Intern oversættelse SONJA FERDINAND Produktionsleder EMILIE TOPP MEYER Forestillingsleder LÆRKE KOLDING Scenemester ANDERS TOFT Forestillingsfotos RUMLE SKAFTE

📸
#fujifilmnordic
#fujifilmgfx #gf45mm #gf110mm & #fujifilmxtseries
Select frames are #mamiyarz67 + #cinestill800t

#theatre #setdesign #teater #photography #filmphotography
JEPPE PÅ BJERGET
#Aarhusteater 2025

Part 2/3

Ludvig Holbergs tekst bearbejdet af Christian Lollike med Anders Thrue Djurslev og Njål Helge Mjøs

Præsenteret i samarbejde med: #holstebrodansekompagni
Iscenesættelse: #christianlollike
Scenografisk koncept: #davidgehrt og #idagrarup
Koreografi: Marie Brolin Tani og Luke Hodkinson
Lysdesign & videocontent: Jeppe Lawaetz
Lyddesign: Lars Gaarde
Foto: @rumleskafte

Medvirkende: Thure Lindhardt, Jacob Madsen Kvols, Nanna Bøttcher, Olaf Højgaard, Amanda Friis Jürgensen, Oskar Salvatore, Anders Baggesen, Christian Hetland, Cecilia Gosilla, Alvilda Lyneborg Lassen*, Andreas Bruun Pedersen*, Luke Hodkinson**, Kateryna Kuznetsova, Illia Miroshnichenko, Lina Valantiejute og Aarhus Teaters Kor.

Hvorfor fotograferer Rumle?
#Fujifilmnordic
Mostly shot on:
📷#fujifilmgfx
📸#gf45mm

#photography #mediumformat #mediumformatphotography #theatre #setdesign #teater #danskscenekunst #thurelindhardt #zombie
JEPPE PÅ BJERGET
#Aarhusteater 2025

Part 1/3

Ludvig Holbergs tekst bearbejdet af Christian Lollike med Anders Thrue Djurslev og Njål Helge Mjøs

Præsenteret i samarbejde med: #holstebrodansekompagni
Iscenesættelse: #christianlollike
Scenografisk koncept: #davidgehrt og #idagrarup
Koreografi: Marie Brolin Tani og Luke Hodkinson
Lysdesign & videocontent: Jeppe Lawaetz
Lyddesign: Lars Gaarde
Foto: @rumleskafte

Medvirkende: Thure Lindhardt, Jacob Madsen Kvols, Nanna Bøttcher, Olaf Højgaard, Amanda Friis Jürgensen, Oskar Salvatore, Anders Baggesen, Christian Hetland, Cecilia Gosilla, Alvilda Lyneborg Lassen*, Andreas Bruun Pedersen*, Luke Hodkinson**, Kateryna Kuznetsova, Illia Miroshnichenko, Lina Valantiejute og Aarhus Teaters Kor.

Hvorfor fotograferer Rumle?
#Fujifilmnordic
Mostly shot on:
📷#fujifilmgfx
📸#gf45mm

#photography #mediumformat #mediumformatphotography #theatre #setdesign #teater #danskscenekunst #thurelindhardt #zombie

Li Lianhua says he built the Lotus Tower out of a wrecked boat, and that's apparently one of the rare times he tells the truth, because production has put nautical details here and there. Like those block and tackles hanging in the background. I'm a bit bothered by the facts this is the first time I see them*, but it's a nice touch!

(*is it a me problem or did production randomly throw them in)